Negative Space
Negative Space
If we talk about actual space, we must balance it out by covering the concept
of negative space. Negative space refers to the empty space within the actual
space. It is void of objects and elements. Its usage is vital to proper visual
design. It is always the starting point for our design. It may be a blank piece of
paper or a new file in an application ready for content to be placed. When you
begin to create a Web screen in Macromedia Fireworks, you begin with
negative space. Negative space also goes by the name white space.
The term
white space was coined in traditional 2D design. It is a frequent term in graphic
design. In Web design, white space is just as important to composition as
content is in many instances. Visually, negative space provides visual relief as
well as gives intelligent organization to elements on a page by highlighting and
separating text and graphics with the use of white space. Just think, between
characters, between lines, between everything, is white space. Effectively using
white space means that you do not crowd content for no good design reason.
Occasionally, a design may call for no white space or rely on negative space for
the design, but in Web design, particularly in situations such as the Web
portfolio, we want to utilize white space in our interface and typography. Doing
so will create invisible order and will enhance readability of the Web page.
Proximity and Containment
Proximity and containment become important considerations when you are
designing within a two-dimensional area such as a Web page. Keeping
navigation items located consistently and strategically is of high importance.
Menus should be contained to upper regions of the page when they are of high
importance. Sub menus can be lower on the page to reflect the hierarchy of the
two navigation items. Personal logos and page headers should be contained in
the upper regions of the page to command immediate recognition and to
establish page to page identity and style.
To expand on proximity and containment, we need to think about how our user
will move around our Web pages. It is important that we put the most important
navigation elements within quick reach and without clutter. That’s where
proximity and containment common. The ability to put white space around a
logo or the ability to separate navigation elements properly so that each is
independent and can be clicked on by the user without error exemplify using
proximity and containment to enhance the Web page.
Containment of content within Web pages is critical to showing off your best
work. Pop-up windows are good examples of content containers which set off
work from the rest of
the Web site. Containment also offers organization to a
Web experience. An example of this would be PDF files that may contain
external documents for viewing or downloading. Isolating documents within a
Web site gives priority to them and allows the user and effective method for
gaining access. Larger documents that do not convert well to dynamic Web
pages are perfect for containment within the PDF browser environment.
Containment also occurs within flash movies. The movies act like containers for
multimedia content which gets placed inside the framework of a Web page. The
flash movies are developed and saved as self-contained, self running multime-
dia snippets that can be swapped out for new content quickly and easily without
affecting the overall stability of the Web page. Containment also helps in
hierarchal structure and the management of overall content presentation.
Weight
Weight refers to the visual value placed upon the items on your Web page. A
heavy weight graphic could be over sized, distinctively colored, or oddly
positioned to imply that it has dominance in the visual space. We want to
establish strong weight to our portfolio pieces and work items and a light weight
to our navigation items. Logo and headers should have light to medium weight
so they have impact, but do not overwhelm the page or distract from the impact
of the work. The overweight nature of many interface designs seen in my
research leads me to believe that focus is not as centered on content as it needs
to be.
Another way to exhibit weight is to use bold text within large text blocks or for
links. Bold text is also effective when used in rollovers to show visual feedback
when the mouse goes over the navigation. Weight can be seen in borders and
rules used in Web page designs. These items can be effective in distributing
weight and breaking up white space within a design. Make sure the weight of
borders and rules is consistent and not overwhelming to the eye. Rules and
borders should be kept under two points to avoid a heavy look.
As you begin to perform visual design on paper and using computer graphics
applications, think about weight and how will have an affect on your Web
portfolio pages.
Scale
Scale refers to physical size. Large scale images on a page can result in
dominance of that page. Small-scale graphics can represent lack of importance
or in the case of text; they can be iconic or representative of a single navigational
or representational item. Small scale also implies order, as with a set of
thumbnails. Scale affects composition because it takes the eye to something or
confuses the eye in determining what to look at first. We want to make sure that
we use scale effectively in a Web portfolio pages. During this requires us to have
visual contrast between scaled items or it may require repetition of items at the
same scale to portray a series or a visual list.
In the portfolio we want to make sure that our content items that are specific
work pieces get represented properly by being created at the proper scale. We
don’t want our project samples to be too small or too large. Both cases cause
problems due to scale. Images that are too large, may be difficult to decipher,
or maybe disproportional to the space. Images that are too small may be
difficult to see simply because of physical size and lack of resolution.
The best rule I can give you for scale relates to a technical point not a visual
point. The rule is to create graphics to the scale you need for the final Web page.
Visually, experiment with scale to get appropriate visual contrast and to give
elements on a Web page prominence or order.
Repetition
Repetition refers to repeating elements. Sounds elementary, but sometimes
inexperienced designers one non-designers use it the wrong way. Repetition is
used for several different purposes within a design. Repetition can be good or
it can be bad. Mostly, I think repetition should be used to remember things
easier and allow the user not to think so hard when encountering common
elements. Repetition should act as an intuitive guide for the user. We want to
repeat certain things such as typefaces, positioning of elements, and procedures
that the user communicates with while interacting with the site.
Good repetition should help establish identity, such as when a personal logo is
used on a Web portfolio. However, when the logo is blinking on the page, or
is placed on the page several times, the repetition becomes bothersome and
distracting to the user. Good repetition is when you place all the page headers
in the same exact location on every page. Good repetition is when you use
consistent navigation systems in your site.
Bad repetition happens when things are repeated for no good reason than
simply to repeat them.
As with the case of blinking items and putting four
instances of a logo on one Web page. Another event that exemplifies bad
repetition is when navigation is repeated in the exact same way on the same
page. Navigation can be repeated on a Web page. It is a good idea to have main
navigation which is graphical or text-based at the top of the Web page and if the pages are scrollable, main navigation should be located at the bottom of the
pages in a simple, small scale text-based navigation bar. Components to the
Web portfolio page such as a contact button should be repeated in the same
place on every page, but not multiple times on the same page for no good
reason. When you begin to design your Web page screens think about the role
of repetition in your designs. Once you decide that an element should be
repeated, make sure that it is repeated consistently throughout all of its
occupied pages.
Before duplicating items on a page asked the questions: Why
am I doing this? Will this be effective or bothersome to the user? Is this
repetition needed to benefit the user? Will this repetition help guide the user
when they are navigating through the site? Will this repetition help promote my
personal identity and add value to my public appearance? These questions are
given to you so that you consider them when you begin visual design. I offer
them to you so that you can begin to eliminate common visual mistakes that I
made one non designers and new designers begin to create visual work.
- Arts and entertainment ¬
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- All about Speaker Notes. Changing formats on the Slide Master
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- Churning Out Letters, Labels, and Envelopes for Mass Mailings
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- Excel 2003: Formulas and Functions for Crunching Numbers
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- Formatting fonts and text styles. Navigating a Spreadsheet
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- How to create a nes style using Office 2003
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- Introducing Microsoft Money 2004
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- Splitting deposits and withdrawals using Money 2004 from Microsoft
- The Basics of Spreadsheets Numbers, Labels, and Formulas
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- BitLocker Drive Encryption in Windows Vista
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- Browsing the Network with a wireless connection
- Browsing the Web with Internet Explorer 7 using Windows Vista
- Browsing the Web with Internet Explorer 7 using Windows Vista Part 2
- Browsing the Web with Internet Explorer 7 using Windows Vista Part 3
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- Expert Knowledge: IP Addresses and How They Work
- Expert Knowledge: POP3, IMAP, HTTP, and SMTP
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- Finding Out What Hardware and drivers You Can Use with Windows
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- Internet Explorer 7.0. in Windows Vista. Features of Vista
- Internet Explorer 7: Working with multiple tabs
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- Reading a Newsgroup That Your ISP Doesnt Provide
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- Ripping Music CDs In Windows Vista
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- Running Programs as Administrator In Windows Vista
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- Select the Print to File check box in the Print dialog box
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- Set Up a Bluetooth Network between Two Computers
- Setting Compatibility Mode Using the Program Compatibility Wizard
- Setting Startup and Recovery Options in Vista
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- Sharing and Securing with User Accounts In Windows Vista
- Sharing Your Movies with the World using Windows Vista
- Should You Connect Your Network to the Internet
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- Specifying the Size and Location of the Paging File
- Speed up Windows Vista System
- Starting Messenger for the First Time on Windows Vista
- Startup Problems In Windows Vista
- Support for RSS News Feeds in Windows Vista
- Surfing the Internet in Windows Vista
- Taking Advantage of Your Ability to Upgrade to Windows Vista
- The Desktop, Start Menu, and Other Windows Vista Mysteries
- The photo import functionality in Windows Vista
- The Value of Windows Vista. Windows Aero. Enable Transparency
- The Vista Upgrade Advisor
- Thinking of Cheating at Solitaire in Windows Vista
- Transferring Files from Another Computer In Windows Vista
- Troubleshooting and Optimizing Windows Vista. Logs
- Troubleshooting Files and Folders in Vista
- Troubleshooting Pictures and Photos In Windows Vista
- Troubleshooting Security In Windows Vista
- Unable to Copy or Move a File or Folder in Windows Vista
- Understanding the Windows Experience Index Score
- Understanding User Accounts in Windows Vista
- Upgrade RAM, CPU, HDD in Windows vista for WEI
- Upgrading to Windows Vista, System requirements
- Upgrading to Windows Vista. Windows Anytime Upgrade
- Using and Understanding Windows Vista Live Services
- Using Briefcase to Synchronize Files between Two Computers
- Using CDs and DVDs
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- Using Speech Recognition in Windows Vista Ultimate
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- Using the Backup and Restore Center in Windows Vista Ultimate
- Using the System Restore Feature in Vista
- Using the Windows Vista Desktop
- Using Vista Programs and Accessories
- Using Windows Mail IMAP accounts. Junk folder settings
- Using Windows Sidebar. What Is Windows Sidebar. The Active Desktop
- Using Windows Vista Home on a Portable Computer
- Using Windows Vista Sidebar
- Vista Compatibility. The Vista Upgrade Advisor
- Vista: Creating DVDs with Windows DVD Maker
- Watching and Managing Movies with Windows Media Center
- What are Outline Fonts and Raster Fonts
- What is an Internet network and how to setup a home network
- What is Microsoft PowerShell Part 1
- What is Microsoft PowerShell Part 2
- What is Windows Vista Business sharing and how it works
- What is Windows Vista User Experience
- What Is Windows Vista, Features
- What`s New in the Windows Vista User Interface
- When Remote Desktop Connection Cant Connect
- Why Can`t I Fix My Photo In Windows Vista
- Windoes Vista: Securing Your Internet Connection with a Firewall
- Windows Mail No Longer Supports Hotmail Accounts
- Windows Mail Opening received attachments
- Windows Media Player 11 in Windows Vista
- Windows Vista Breakdown
- Windows Vista Downloading Programs
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- Windows Vista Installing and Upgrading Programs
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- Windows Vista Performance Tuning Your System
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- Windows Vista A New Look and Feel
- Windows Vista Aero requirements
- Windows Vista Aero. Aero requirements
- Windows Vista and Digital photo management
- Windows Vista and Windows Explorer
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- Windows Vista help
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- Windows Vista Special Characters. Vista Symbols
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- Windows Vista: Checking Files with System File Checker
- Windows Vista: Choosing the Best Display Resolution
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- Windows Vista: Dealing with User Account Control If Necessary
- Windows Vista: How to change the background and Desktop items
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- Windows Vista: Registry data types
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- Windows Vista: Setting different PC components and settings
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- Your Folder Structure May Be Different Than that Shown Here
- Windows XP
Education and reference ¬
- Home schooling
- Life concepts
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- A new dynasty was then founded by Labdacus
- Aetolia: An incursion to Corinth
- Anthropomorphic conception and Greek humanism
- Aphrodite and Eros in Greek mythology: Part 1
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- Aphrodite and Eros in Greek mythology: Part 3
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- Apollo and the messengers
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- Book of the Dead by Homer
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- Calypso helped Odysseus build a raft and sail away
- Charon, Menippus and Hermes
- Classical mythology in music and film: Part 1
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- Classical mythology in music and film: Part 3
- Classical myths in medieval and renaissance art
- Demeter and the Eleusinian Mysteries: Part 1
- Demeter and the Eleusinian Mysteries: Part 2
- Demeter and the Eleusinian Mysteries: Part 3
- Dionysus dialog with Pentheus
- Dionysus, Pentheus, Echo and Narcissus
- DIONYSUS: Pentheus, I call on you
- Fanus and Silvanus in Roman Culture
- Greek Local Legends The Theban Saga
- Heracles: Man, Hero and God
- Hermes in Greek Mythology
- Hermes lulled Argus to sleep by telling him stories
- Hermes speech to Zeus
- Hermes, Zeus and Maia
- Homeric and Platonic elements
- Importance of Daedalusin Greek Culture
- Italian and Greek culture
- Jason at Colchis and the return of the Argonauts
- Jupiter Latiaris was the chief god
- Legends from the Central greece
- Literary uses of Mythology
- Myths of Creation in Greek culture: Part 1
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- Nemesis and Croesus
- Orpheus and Orphism. Who was Hymen
- Other deeds of Heracles
- Other Peloponnesian legends in Greek Culture
- Perseus and the legends of Argus
- Poseidon and the sea monsters
- Poseidon was Theseus father rather than Aegeus
- Some information about Heracles
- Survival of Mythology over the time
- The gods and legends of Rome
- The Amazons invaded Attica and were defeated by Theseus
- The historical dimension of Greek myths
- The Homeric Hymn to Artermis
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- The Persians and Croesus
- The seven against Thebes
- The Trojan horse and Achilles
- The twelve labors of Greek culture
- The Underworld of Hades
- The visit of Odysseus to the Underworld
- The war for Troy and the Trojan horse
- Thebes Mycenae was the most popular source for legends
- Theseus and the legends of Attica and Crete
- Troy, Priam and Iliad
- Turnus and the Latins, with other Italian leaders
- What is mythology
- When Homer refers to the Argonauts
- Who was Apollo in Greek Mythology
- ZEUS Rise to POWER: The Creation of Man: Part 1
- ZEUS Rise to POWER: The Creation of Man: Part 2
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